While so many bands today are lured into using sampled sounds and synthesizers, it feels good to just bask in the aural presence of that fuzzy, stripped down sound upon which my own musical sensibilities were nourished and weaned. And clearly I am not alone, since Golden West was packed with fans of the genre who were enthusiastic as I was.
Before the show started I had a few minutes to chat with members of Graveyard. Every show so far on their tour has sold out starting with a 600 capacity venue in New York City. Bassist Rikard Edlund showed me his Blue Cheer tattoo (“My first tattoo!” he said), a clear indication of his permanent devotion to the musical style. Neither he nor drummer Axel Sjöberg really understood why this type of music seems to be making a comeback.
“Maybe it’s time,” Edlund said. “It’s been 40 years. People are realizing how great it is and it is time to bring it back.”
“I hope it never stops!” Sjöberg added.
The show got rolling with Daniel Davies, who presented a solid set. I had never heard them before, but Davies was a perfect complement for what was to come. Here’s a sample:
Next up was Radio Moscow. Apparently this group has had a bit of a personnel “shake up” in recent days that left lead singer and guitarist Parker Griggs with a hefty gash on his forehead and 14 nasty looking stitches. The current rhythm section consisting of Billy Ellsworth on bass and Lonnie Blanton on drums have only been playing for a week, but that fact was not apparent. Radio Moscow certainly picked up new fans from Baltimore.
I spoke with Griggs after the show. I recorded it, so rather than me type all that out, why don’t you give a listen and hear what he has to say for himself. Griggs provided me with a copy of his new CD, “The Great Escape of Leslie Magnafuzz.” I will review it in the near future. Do yourself a favor and go see the new and improved Radio Moscow. Great sounds, great guys.
INTERVIEW: Parker Griggs of Radio Moscow 1-15-12 by MetalMaven
Graveyard’s show was everything I expected and more. The sound in Golden West was surprisingly clear, which was a happy discovery since I was a little worried about how it might be, the place being a restaurant and all. Joakim Nilsson’s vocals sounded just as bluesy and soulful as in studio recordings. The stage was small and barely large enough to contain the four of them but they managed. The melody interplay between Nilsson and lead guitarist Jonatan Larocca Grimm was perfect. Sjöberg is a bat-shit crazy good drummer that pulls a large sound out of a fairly minimalistic kit. And bassist Edlund blew everyone away with his aggressive and frenetic technique on songs like “Ain’t Fit to Live Here.”
The entire show was my “favorite” since this band evokes such visceral musical memories from my childhood (I was that 3-year-old who listened to Cream), but highlights included “Satan’s Finest” and “The Siren.” Along with the fantastic music, the entire show was accompanied by a good old-fashioned colored-water and oil, overhead projector light show courtesy of “Lance.” Groovy man.
Graveyard plays Washington DC’s DC9 Club January 16 and then move on to Richmond and North Carolina and points west before heading back over to Europe. If they come within 200 miles, I recommend you make the pilgrimage to see them, as well as Radio Moscow and Daniel Davies. And don’t forget to wear your fringed leather vest.